Friday 28th (~4.30pm) to Sunday 30th August 2026 (~3pm)
Castlemaine, Victoria, Dja Dja Wurrung Country, Australia
For the 2026 Goldfields Piping Weekend we offer classes in uilleann pipes and Scottish smallpipes, and a stimulating exploration of the baroque musette. Pipers of all levels will find stimulation, inspiration and development in this weekend-long program of group tutorials, sessions, and performances, plus loads of fun. We are delighted to announce our tutors for the weekend:
Special guest Simon Rickard, baroque musette (pictured, image by Lando Rossi)
Matt Horsley, uilleann pipes
Pat Lyons, uilleann pipes
Geoff Jones, Scottish smallpipes
Merran Moir, Scottish smallpipes
Amy Friend, stretch and preparation
Workshops
Sat 29 & Sun 30 Aug
Campbell House 1882
Ray Bradfield Room
others venues TBC
Sessions
Fri 28 & Sat 29 Aug, evenings
Campbell House 1882
Soiree & Dinner
Saturday 29 Aug, evening
Ray Bradfield Room
Concert
Sunday 30 Aug, early arfternoon
Venue TBC
We welcome special guest Simon Rickard. Find out more about Simon and his classes at the bottom of this page.
We also welcome our faculty of piping tutors teaching beginner and intermediate classes in uilleann pipes and Scottish smallpipes, and special-interest topics. Classes are held on the Saturday and Sunday starting from 9.30am.
The 2026 soiree will be interwoven with our Saturday evening meal in a private, cosy, supportive setting. Our annual Goldfield soiree offers the opportunity for all participants to gain rehearsal and performance experience in a casual and supportive environment. Pipers of all levels are invited to participate, contributing an item to perform. There will be time on the Friday evening and Saturday afternoon to rehearse with other participants to prepare items., or bring something you've already prepared!
A highlight and feature of the weekend will be a public concert presented by Celtic Piping Club in a favourite Castlemaine venue, on Sunday 30 August early afternoon. The concert will be a performance by Ensemble Pompadour featuring Simon Rickard on baroque musette and Nick Pollock on theorbo. The concert is included in the weekend or Sunday ticket, and extra tickets will be available for purchase by community, family and friends. Further details coming soon.
The annual Goldfields Piping Weekend is best suited to people who play or are interested in:
Uilleann pipes
Scottish smallpipes
Other types of pipes including Northumbrian smallpipes, English pipes, other pipes
Other folk instruments
Piping tuition streams will be offered for uilleann pipes beginner and intermediate, and Scottish smallpipes beginner and intermediate. There is no minimum standard of playing or experience required. All participants have the opportunity to learn from and alongside each other.
Breakfasts: for those staying at Campbell Lodge, help-yourself continental breakfast items will be available. Good coffee is available from cafes in Castlemaine.
Lunches: Saturday and Sunday lunch is not supplied. There is time allocated in the program to source lunch from local cafes or shops.
Dinners: Friday evening meal is provided. The Saturday evening meal is also included, and will be enjoyed together as part of the Soiree.
As usual, we request everyone lends a hand to assist with meals preparation and clean-up.
Campbell House 1882: 31 Campbell Street, Castlemaine
Ray Bradfield Room: 33 Forest St, Castlemaine
Buckley Hall, St Mary's Church precinct, 78 Hargraves Street, Castlemaine
Other venues TBA
Full weekend: $165 members / $215 non-members
Full weekend partner/non-participant: $115 members / $165 non-members
Friday evening pass: $45 members / $55 non-members
Saturday day pass: $95 members / $115 non-members
Sunday day pass: $75 members / $95 non-members
There is space for 18 people to stay onsite at Campbell House 1882, 31 Campbell Street, Castlemaine.
Bedrooms: All rooms sleep two people, either as two singles or one king bed. When making your booking you will be able to request or nominate your room mate or room allocation preference. See the Campbell House webpage for more details, including the floorplan (image 51 of the photo gallery).
Bathrooms: All shared bathrooms. There are no ensuite rooms.
Bookings: $160 per person for two nights. If you would like to secure a private room for yourself, you will need to purchase two beds for both nights.
Participants may otherwise book their own local accommodation. The Castlemaine Colonial Motel is very close by and offers a number of private rooms. Further close by options can be found at Castlemaine Boutique Accommodation.
Simon Rickard is a specialist in historical bassoons, baroque musette, and the bizarre renaissance rackett. Since graduating from the Dutch Royal Conservatorium in the Hague, he has performed and recorded with numerous international period instrument ensembles, notably Les Arts Florissants, and the Gabrieli Consort and Players, as well as Australia’s finest period bands, including Latitude 37, Van Diemen’s Band, Genesis, Apeiron Baroque, and his own groups, Ensemble Pompadour and Unholy Rackett. Residing in Australia obliges baroque bassoonists to take a day job: Simon’s is in garden communication.
French baroque music is heard reasonably often on the concert platform today. It’s not uncommon to come across a grand opera of Jean-Philippe Rameau, a keyboard work by François Couperin, or the virtuosic viol repertoire of Marin Marais. However, one instrument which is inexplicably overlooked in today’s early music revival is the baroque musette.
The baroque musette is the smallest, and poshest, member of the bagpipe family. With its double chanters, ingenious shuttle drone, this was the most sophisticated bagpipe of the 17th and 18th centuries. This was never a common person’s bagpipe, but the preserve of the French aristocracy, with whom it was wildly popular, providing the aural backdrop to Versailles Palace’s glittering interiors and rambling gardens.
In this talk, Simon will explain the fascinating social history, and construction, of this most dainty of bagpipes.
Baroque dance was as important an art form in eighteenth century Europe as music was. Its rhythms permeate almost every bar of baroque music, from the grandest mass to the humblest popular song. Composers from Lully to Bach understood the art of baroque dance intimately. Yet how many of us have ever seen a gavotte, menuet or gigue performed today, let alone danced one ourselves?
In this lecture-workshop, Simon will give an introduction to baroque dance, teach you a few basic steps, and examine how it can make you better musicians.